KATIA POJIDAEVA is a dark alternative artist who creates cinematic musical projects completely from scratch. Her debut single "Inherited Scars" focuses on deep generational trauma and breaking free from toxic family loops. Shifting her target from ancestral wounds to modern system decay, Katia blends raw art-house aesthetics with heavy, sinister beats, bringing an unfiltered commentary on human survival to the international alternative scene.
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“Capitalism” is a hypnotic, industrial alternative track built on a heavy, sinister beat. Standing far away from the fake positivity of mainstream media, it delivers a raw, deeply psychological commentary on today's world.
Following her debut single about generational trauma — which secured her a printed cover for Europe's fashion magazine Volecho, a dedicated article in Cage Riot, and a full profile in France's Iggy Magazine — Katia Pojidaeva is bringing a completely new, art-house energy to the international alternative scene.
Written the moment the absolute horror of the system hit home, the track’s chorus deliberately highlights the «march of tiny wheels» — a sharp realization that we are all just broken cogs in a massive machine designed purely to enrich others. The single exposes how humans waste their only lives paying off endless loans, mortgages, and feeding corrupt banks while putting off actual living.
Our existence has turned into a brutal loop: you are born, you get an education, you slave away for a boss to buy them another mansion, and then you die. Yet, the ultimate tragedy remains that so many people have been conditioned to think this exact position is normal.
Following her debut single about generational trauma — which secured her a printed cover for Europe's fashion magazine Volecho, a dedicated article in Cage Riot, and a full profile in France's Iggy Magazine — Katia Pojidaeva is bringing a completely new, art-house energy to the international alternative scene.
Written the moment the absolute horror of the system hit home, the track’s chorus deliberately highlights the «march of tiny wheels» — a sharp realization that we are all just broken cogs in a massive machine designed purely to enrich others. The single exposes how humans waste their only lives paying off endless loans, mortgages, and feeding corrupt banks while putting off actual living.
Our existence has turned into a brutal loop: you are born, you get an education, you slave away for a boss to buy them another mansion, and then you die. Yet, the ultimate tragedy remains that so many people have been conditioned to think this exact position is normal.
“Capitalism” is a hypnotic, industrial alternative track built on a heavy, sinister beat. Standing far away from the fake positivity of mainstream media, it delivers a raw, deeply psychological commentary on today's world.
Following her debut single about generational trauma — which secured her a printed cover for Europe's fashion magazine Volecho, a dedicated article in Cage Riot, and a full profile in France's Iggy Magazine — Katia Pojidaeva is bringing a completely new, art-house energy to the international alternative scene.
Written the moment the absolute horror of the system hit home, the track’s chorus deliberately highlights the «march of tiny wheels» — a sharp realization that we are all just broken cogs in a massive machine designed purely to enrich others. The single exposes how humans waste their only lives paying off endless loans, mortgages, and feeding corrupt banks while putting off actual living.
Our existence has turned into a brutal loop: you are born, you get an education, you slave away for a boss to buy them another mansion, and then you die. Yet, the ultimate tragedy remains that so many people have been conditioned to think this exact position is normal.
Following her debut single about generational trauma — which secured her a printed cover for Europe's fashion magazine Volecho, a dedicated article in Cage Riot, and a full profile in France's Iggy Magazine — Katia Pojidaeva is bringing a completely new, art-house energy to the international alternative scene.
Written the moment the absolute horror of the system hit home, the track’s chorus deliberately highlights the «march of tiny wheels» — a sharp realization that we are all just broken cogs in a massive machine designed purely to enrich others. The single exposes how humans waste their only lives paying off endless loans, mortgages, and feeding corrupt banks while putting off actual living.
Our existence has turned into a brutal loop: you are born, you get an education, you slave away for a boss to buy them another mansion, and then you die. Yet, the ultimate tragedy remains that so many people have been conditioned to think this exact position is normal.
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